[6][84], Originally planned as a double A-side with new track "Made in Heaven", "Je ne sais pas pourquoi" was released as the fourth single on 17 October 1988. [20] The producers had a copy of "Locomotion" produced by Duffy, which Waterman was not keen on. [17], The sixth track, "Turn It Into Love", discusses unrequited love with a wistful-yet-optimistic approach. [29] Matthew Lindsay of Classic Pop, on the other hand, pointed out the main themes about heartbreak, betrayal and frustration. # 11; "[16] He wrote the lyrics in response to what he had learned about Minogue: although she was a successful soap star, he thought there had to be something wrong with her and figured she must be unlucky in love.

19 July 2013 Official Chart Flashback: 1988 – Kylie by Kylie Minogue The hat, the hair, that winning grin: it’s a quarter of a century since Kylie – The Album debuted in the charts.

[30] In a 2019 interview, Minogue said that she "probably didn't realize at the time" about the dark tone in the lyrics—in the case of "I Should Be So Lucky", she stated "We all sing like it's really happy, but it's not. [29][30] Minogue sings "Got to Be Certain", a lovelorn Hi-NRG track, in an upbeat and carefree way. [96] At Album of the Year, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 55 based on 2 reviews.

[116] The album reached the top ten in Germany,[117] Norway,[118] and Switzerland.   [91] Giving the album two-and-a-half out of five stars, Chris True from AllMusic said that although the production values "are dated at best" and the melodies "are nothing but standard", her upbeat personality makes them "bearable". It was a commercial success, peaking at number one in the United Kingdom for six weeks and becoming the best-selling album of 1988. She wishes she was lucky in love. "[28] Joe Sweeney of PopMatters noted the musical similarities to other albums produced by PWL, with the lyrics about romantic relationships and positive mentality.

[21][69] It remained at number-one on the UK Singles Chart for five consecutive weeks, her longest chart-topper,[70] and on Australia's Kent Music Report for another sixth consecutive weeks. called it a compilation of "unremarkable and cheesy clips that present the singer as a clean-cut teen". [29] He commented that such themes would later infuse Minogue's post-millennial work. [49][50][51] Kylie's Remixes, a nine-track remix compilation of seven songs from Kylie, was released in 1988 in Japan. While the production values on Kylie's debut are dated at best and the tunes are nothing but standard late-'80s Stock-Aitken-Waterman bubblegum, there are some rather endearing qualities to it. [38] David Geffen, founder of Geffen Records, agreed in distributing the album after watching several video clips of Minogue. [100] The single also earned Minogue a Japan Gold Disc Award for Single of the Year in 1989. [17], Kids and teenagers were the target audience for Kylie; Waterman adapted the idea and was fascinated by how teenagers reacted to Minogue's work. # 46;

[18][11], In February 1988, Stock travelled to Melbourne and apologised to Minogue for her previous recording session.

[25] It is reflected in the album's artwork, shot by photographer Lawrence Lawry,[26] which shows Minogue grinning and wearing a hat of hair with curls cascading out of the top.

ausralian mixes include chugga.motion and boy meets girl. 1984 [29] For the album's version of "The Loco-Motion", the producers re-recorded the backing track from Duffy's demo, featuring railway sound effects and less spontaneous vocals.

[26][35] Designer David Howells said the artwork shows Minogue in a girlie and carefree way that kids can relate to, instead of "some icon on a pedestal". [124], *sales figures based on certification alone^shipments figures based on certification alone, This article is about Kylie Minogue's debut album. [1][2] She was a child actress from the age of eleven, appearing in cameo roles in The Sullivans (1979), Skyways (1980), and The Henderson Kids (1985). [15][16] They eventually turned up at the studio at the last minute. [37] Similar to other late 80s records, the record company took control of Kylie's running orders and pushed future singles to the front. [34] Chris Heath of Smash Hits praised the "simple, deliriously wonderful disco" tracks,[95] while Rolling Stone suggested they sound like "delightful trifles" and are as "cheesily and identically redolent of the late 80s' as a pair of stone-washed jean shorts". # 36; It stayed in the top fifty for a total of twenty-eight weeks. Kylie is the debut studio album by Australian recording artist Kylie Minogue, released on 4 July 1988 by Mushroom Records.Minogue had established herself as a child actress before signing to the record label in early 1987. # 25;

# 26;

# 48; [122] In Japan, it peaked at number 30 and sold 102,000 copies as of 2006. [17][6] The slow-tempo "Je ne sais pas pourquoi" and reggae-infused "It's No Secret" contain melodies that are reminiscent of Waterman's earlier work in the 1960s at the Mecca Dance Hall. # 12;

# 47; Whitney Houston, 1980 [81][83] In the video, Minogue is seen dancing against a backdrop of graffiti and singing in a studio, while her brother Brendan appeared as a cameo at the end of the clip. This is the first time these albums have been released in the United Kingdom since their original release. two songs were done before her SAW days. [98], Ian Peel of Classic Pop commended the hooks saying they are "simple ... but never really leave you," adding the songs "sound pretty much the same".

[77] "Turn It into Love" was released exclusively in Japan as the fifth single, peaking at number 34.

# 17; 1987

[3] PWL re-released Kylie in Japan in 2012 with bonus mixes. [29] In 2018, Cinquemani ranked Kylie as Minogue's worst studio album, criticizing her vocals which sound "like she was forced to suck down a lungful of helium". [3] In 1985, Minogue used her earnings from The Henderson Kids to record three songs with producer Greg Petherick at Young Talent Time, a weekly Australian music programme which already featured Dannii as a regular performer. # 94; [26][88] It peaked at number 37 on the Billboard Hot 100, Minogue's third consecutive top forty single in the United States.

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[6][84], Originally planned as a double A-side with new track "Made in Heaven", "Je ne sais pas pourquoi" was released as the fourth single on 17 October 1988. [20] The producers had a copy of "Locomotion" produced by Duffy, which Waterman was not keen on. [17], The sixth track, "Turn It Into Love", discusses unrequited love with a wistful-yet-optimistic approach. [29] Matthew Lindsay of Classic Pop, on the other hand, pointed out the main themes about heartbreak, betrayal and frustration. # 11; "[16] He wrote the lyrics in response to what he had learned about Minogue: although she was a successful soap star, he thought there had to be something wrong with her and figured she must be unlucky in love.

19 July 2013 Official Chart Flashback: 1988 – Kylie by Kylie Minogue The hat, the hair, that winning grin: it’s a quarter of a century since Kylie – The Album debuted in the charts.

[30] In a 2019 interview, Minogue said that she "probably didn't realize at the time" about the dark tone in the lyrics—in the case of "I Should Be So Lucky", she stated "We all sing like it's really happy, but it's not. [29][30] Minogue sings "Got to Be Certain", a lovelorn Hi-NRG track, in an upbeat and carefree way. [96] At Album of the Year, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 55 based on 2 reviews.

[116] The album reached the top ten in Germany,[117] Norway,[118] and Switzerland.   [91] Giving the album two-and-a-half out of five stars, Chris True from AllMusic said that although the production values "are dated at best" and the melodies "are nothing but standard", her upbeat personality makes them "bearable". It was a commercial success, peaking at number one in the United Kingdom for six weeks and becoming the best-selling album of 1988. She wishes she was lucky in love. "[28] Joe Sweeney of PopMatters noted the musical similarities to other albums produced by PWL, with the lyrics about romantic relationships and positive mentality.

[21][69] It remained at number-one on the UK Singles Chart for five consecutive weeks, her longest chart-topper,[70] and on Australia's Kent Music Report for another sixth consecutive weeks. called it a compilation of "unremarkable and cheesy clips that present the singer as a clean-cut teen". [29] He commented that such themes would later infuse Minogue's post-millennial work. [49][50][51] Kylie's Remixes, a nine-track remix compilation of seven songs from Kylie, was released in 1988 in Japan. While the production values on Kylie's debut are dated at best and the tunes are nothing but standard late-'80s Stock-Aitken-Waterman bubblegum, there are some rather endearing qualities to it. [38] David Geffen, founder of Geffen Records, agreed in distributing the album after watching several video clips of Minogue. [100] The single also earned Minogue a Japan Gold Disc Award for Single of the Year in 1989. [17], Kids and teenagers were the target audience for Kylie; Waterman adapted the idea and was fascinated by how teenagers reacted to Minogue's work. # 46;

[18][11], In February 1988, Stock travelled to Melbourne and apologised to Minogue for her previous recording session.

[25] It is reflected in the album's artwork, shot by photographer Lawrence Lawry,[26] which shows Minogue grinning and wearing a hat of hair with curls cascading out of the top.

ausralian mixes include chugga.motion and boy meets girl. 1984 [29] For the album's version of "The Loco-Motion", the producers re-recorded the backing track from Duffy's demo, featuring railway sound effects and less spontaneous vocals.

[26][35] Designer David Howells said the artwork shows Minogue in a girlie and carefree way that kids can relate to, instead of "some icon on a pedestal". [124], *sales figures based on certification alone^shipments figures based on certification alone, This article is about Kylie Minogue's debut album. [1][2] She was a child actress from the age of eleven, appearing in cameo roles in The Sullivans (1979), Skyways (1980), and The Henderson Kids (1985). [15][16] They eventually turned up at the studio at the last minute. [37] Similar to other late 80s records, the record company took control of Kylie's running orders and pushed future singles to the front. [34] Chris Heath of Smash Hits praised the "simple, deliriously wonderful disco" tracks,[95] while Rolling Stone suggested they sound like "delightful trifles" and are as "cheesily and identically redolent of the late 80s' as a pair of stone-washed jean shorts". # 36; It stayed in the top fifty for a total of twenty-eight weeks. Kylie is the debut studio album by Australian recording artist Kylie Minogue, released on 4 July 1988 by Mushroom Records.Minogue had established herself as a child actress before signing to the record label in early 1987. # 25;

# 26;

# 48; [122] In Japan, it peaked at number 30 and sold 102,000 copies as of 2006. [17][6] The slow-tempo "Je ne sais pas pourquoi" and reggae-infused "It's No Secret" contain melodies that are reminiscent of Waterman's earlier work in the 1960s at the Mecca Dance Hall. # 12;

# 47; Whitney Houston, 1980 [81][83] In the video, Minogue is seen dancing against a backdrop of graffiti and singing in a studio, while her brother Brendan appeared as a cameo at the end of the clip. This is the first time these albums have been released in the United Kingdom since their original release. two songs were done before her SAW days. [98], Ian Peel of Classic Pop commended the hooks saying they are "simple ... but never really leave you," adding the songs "sound pretty much the same".

[77] "Turn It into Love" was released exclusively in Japan as the fifth single, peaking at number 34.

# 17; 1987

[3] PWL re-released Kylie in Japan in 2012 with bonus mixes. [29] In 2018, Cinquemani ranked Kylie as Minogue's worst studio album, criticizing her vocals which sound "like she was forced to suck down a lungful of helium". [3] In 1985, Minogue used her earnings from The Henderson Kids to record three songs with producer Greg Petherick at Young Talent Time, a weekly Australian music programme which already featured Dannii as a regular performer. # 94; [26][88] It peaked at number 37 on the Billboard Hot 100, Minogue's third consecutive top forty single in the United States.

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# 74; # 9; # 60;

See if Kylie made the list of most famous people with first name Kylie. Boy Meets Girl, Where Do Broken Hearts Go - # 56; "[31], Kylie opens with "I Should Be So Lucky", a light dance-pop track that uses a drum machine, keyboards and bass by Stock. It included an interview with Minogue, as well as music videos for "Got to Be Certain" and "Je Ne Sais Pas Pourquoi". # 92; The signing was met with polarised opinions from critics and employees of Mushroom Records; many thought it would be the end of the company and dubbed Minogue as "The Singing Budgie. [71] The song was certified gold by the British Phonographic Industry on 1 March 1988. # 98; Watch the music video and discover trivia about this classic Pop song now. Kylie Minogue first charted in 1988. Kylie Minogue was around 20 years old when her first singled charted. [4][7], Impressed by the performance, Petherick arranged for Minogue to record the former song, re-titled as "Locomotion", with producer Kaj Dahlstrom, who invested $10,000 to record it. [22][27], Stock, Aitken, and Waterman composed and produced all the tracks on Kylie except "The Loco-Motion" written by Gerry Goffin and Carole King.

[6][84], Originally planned as a double A-side with new track "Made in Heaven", "Je ne sais pas pourquoi" was released as the fourth single on 17 October 1988. [20] The producers had a copy of "Locomotion" produced by Duffy, which Waterman was not keen on. [17], The sixth track, "Turn It Into Love", discusses unrequited love with a wistful-yet-optimistic approach. [29] Matthew Lindsay of Classic Pop, on the other hand, pointed out the main themes about heartbreak, betrayal and frustration. # 11; "[16] He wrote the lyrics in response to what he had learned about Minogue: although she was a successful soap star, he thought there had to be something wrong with her and figured she must be unlucky in love.

19 July 2013 Official Chart Flashback: 1988 – Kylie by Kylie Minogue The hat, the hair, that winning grin: it’s a quarter of a century since Kylie – The Album debuted in the charts.

[30] In a 2019 interview, Minogue said that she "probably didn't realize at the time" about the dark tone in the lyrics—in the case of "I Should Be So Lucky", she stated "We all sing like it's really happy, but it's not. [29][30] Minogue sings "Got to Be Certain", a lovelorn Hi-NRG track, in an upbeat and carefree way. [96] At Album of the Year, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 55 based on 2 reviews.

[116] The album reached the top ten in Germany,[117] Norway,[118] and Switzerland.   [91] Giving the album two-and-a-half out of five stars, Chris True from AllMusic said that although the production values "are dated at best" and the melodies "are nothing but standard", her upbeat personality makes them "bearable". It was a commercial success, peaking at number one in the United Kingdom for six weeks and becoming the best-selling album of 1988. She wishes she was lucky in love. "[28] Joe Sweeney of PopMatters noted the musical similarities to other albums produced by PWL, with the lyrics about romantic relationships and positive mentality.

[21][69] It remained at number-one on the UK Singles Chart for five consecutive weeks, her longest chart-topper,[70] and on Australia's Kent Music Report for another sixth consecutive weeks. called it a compilation of "unremarkable and cheesy clips that present the singer as a clean-cut teen". [29] He commented that such themes would later infuse Minogue's post-millennial work. [49][50][51] Kylie's Remixes, a nine-track remix compilation of seven songs from Kylie, was released in 1988 in Japan. While the production values on Kylie's debut are dated at best and the tunes are nothing but standard late-'80s Stock-Aitken-Waterman bubblegum, there are some rather endearing qualities to it. [38] David Geffen, founder of Geffen Records, agreed in distributing the album after watching several video clips of Minogue. [100] The single also earned Minogue a Japan Gold Disc Award for Single of the Year in 1989. [17], Kids and teenagers were the target audience for Kylie; Waterman adapted the idea and was fascinated by how teenagers reacted to Minogue's work. # 46;

[18][11], In February 1988, Stock travelled to Melbourne and apologised to Minogue for her previous recording session.

[25] It is reflected in the album's artwork, shot by photographer Lawrence Lawry,[26] which shows Minogue grinning and wearing a hat of hair with curls cascading out of the top.

ausralian mixes include chugga.motion and boy meets girl. 1984 [29] For the album's version of "The Loco-Motion", the producers re-recorded the backing track from Duffy's demo, featuring railway sound effects and less spontaneous vocals.

[26][35] Designer David Howells said the artwork shows Minogue in a girlie and carefree way that kids can relate to, instead of "some icon on a pedestal". [124], *sales figures based on certification alone^shipments figures based on certification alone, This article is about Kylie Minogue's debut album. [1][2] She was a child actress from the age of eleven, appearing in cameo roles in The Sullivans (1979), Skyways (1980), and The Henderson Kids (1985). [15][16] They eventually turned up at the studio at the last minute. [37] Similar to other late 80s records, the record company took control of Kylie's running orders and pushed future singles to the front. [34] Chris Heath of Smash Hits praised the "simple, deliriously wonderful disco" tracks,[95] while Rolling Stone suggested they sound like "delightful trifles" and are as "cheesily and identically redolent of the late 80s' as a pair of stone-washed jean shorts". # 36; It stayed in the top fifty for a total of twenty-eight weeks. Kylie is the debut studio album by Australian recording artist Kylie Minogue, released on 4 July 1988 by Mushroom Records.Minogue had established herself as a child actress before signing to the record label in early 1987. # 25;

# 26;

# 48; [122] In Japan, it peaked at number 30 and sold 102,000 copies as of 2006. [17][6] The slow-tempo "Je ne sais pas pourquoi" and reggae-infused "It's No Secret" contain melodies that are reminiscent of Waterman's earlier work in the 1960s at the Mecca Dance Hall. # 12;

# 47; Whitney Houston, 1980 [81][83] In the video, Minogue is seen dancing against a backdrop of graffiti and singing in a studio, while her brother Brendan appeared as a cameo at the end of the clip. This is the first time these albums have been released in the United Kingdom since their original release. two songs were done before her SAW days. [98], Ian Peel of Classic Pop commended the hooks saying they are "simple ... but never really leave you," adding the songs "sound pretty much the same".

[77] "Turn It into Love" was released exclusively in Japan as the fifth single, peaking at number 34.

# 17; 1987

[3] PWL re-released Kylie in Japan in 2012 with bonus mixes. [29] In 2018, Cinquemani ranked Kylie as Minogue's worst studio album, criticizing her vocals which sound "like she was forced to suck down a lungful of helium". [3] In 1985, Minogue used her earnings from The Henderson Kids to record three songs with producer Greg Petherick at Young Talent Time, a weekly Australian music programme which already featured Dannii as a regular performer. # 94; [26][88] It peaked at number 37 on the Billboard Hot 100, Minogue's third consecutive top forty single in the United States.

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