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She has an agency and mental processes in the story, and though it maybe of a docile lovelorn peasant at least she is not marginalized by the author himself. Pushkin uses place to personify this move by only naming the place of St. Petersburg as her final destination. The conceit becomes starker. Take a look around and grab the RSS feed to stay updated. The only story that I really liked was “The Amateur Peasant Girl.” It was also the only one without an active, designing, narrator. Regardless, I thought Pushkin undercut himself and perhaps the message he was hoping to convey, several times. This may be a commentary on the typical Russian peasant. The Stationmaster Summary & Study Guide includes comprehensive information and analysis to Here are some links to check out while you’re listening! If Pushkin’s intention was simply to delight the reader he did a good job. It’s an unfortunate situation, that causes both Dunya and her father a lot of pain, as is evident when she sees him years later. They are stories, the kind of stories I would read to children at night (well the ones with happy endings at least). Both girls search for a love that ultimately leads them to the foreign social scene of men with higher status. The depth and layers of Pushkin’s short stories are miracles. The story was different from the other ones in that it had a happy ending as Alexei and Liza, who were once unable to marry because of their fathers’ mutual enmity, are able to marry and be happy together at the end. Dunya, though her actions move the plot, her own perceptions are void, Pushkin never gives her the opportunity to speak of her own fate, and therefore she is unable to influence the reader. The make-up scene when Alexei and his father come over for dinner is meant to be completely hilarious. Duni characteristic from the stationmaster. The tales we have read so far provide us with a medium of analyzing our own values and standards. You could say she is a “mysterious” character, with the way she doesn’t really say anything yet meanwhile she continues to do her thing unaided and seemingly unmotivated; we are left guessing at her motivations. My view of Dunya changed dramatically as the story progressed, and especially after reading some of the previous blog posts. Dunya “knows how to calm men” and is aware of her sexuality and power over men at just fourteen years of age. As Casey mentions, Dunya seems like she should be the representation of this, but she isn’t completely because while she’s sad her father died, she doesn’t really seem to be “repentant.” If anything, the station master is the prodigal son: he went back to Dunya for some kind of repentance after he realizes somewhat what’s happened, but it wasn’t reciprocated like the story should play out, at least not until he’s dead and gone, which is pretty sad. Are we too harsh on him? The narrator feels much the same as we do in the end, horribly downcast, but somehow at peace. The station master is guilty only of not reacting to the situation properly. My view of Dunya changed dramatically as the story progressed, and especially after reading some of the previous blog posts. Samson is in effect using his daughter to keep the station running strong and to keep its clientele happy. In reality, we, as modern- day readers, cannot go on to comfortably assume the ending of the play but can, in our best efforts, try to assume how the ideal reader filled in the last bit of the story. In general, I think readers are prone to side with the narrator. She makes her return, pities either her father or possibly her loss of Minsky–we can’t know–, leaves some money, and moves on. Both Liza and Dunya are caught in, we’ll say regretful circumstances, and feel guilty about it. He is manipulated by the German doctor, obviously cannot understand the German inscriptions and is very trusting of the world around him. Did she go along with Minsky knowing that she would be kidnapped? When Samson finally tracks down Dunya in St. Petersburg, her collapse to the floor was not a sign of weakness but rather one of frustration. I think it’s very interesting that so many people are drawing parallels between “The Postmaster” and “Poor Liza”. 3 easy ways to prepare for video presentations The father is definitely guilty for bringing her up in this way, as well as for sexualizing a child, and it was his lapse in judgment that lead to her abduction when he trusted his most valued possession to a strange. Instead, she crumbles to the ground in a pathetic heap, unable to stand and face the man who has loved her so enduringly. At first, I sided with the station master and saw Dunya’s actions as foolish and irresponsible. Similarly, Dunya is controlled by men whether it be her father or the Hussar. Instead, he makes a disastrous journey to Saint Petersburg to track down Dunya and ultimately loses control of himself and breaks down completely so that when his daughter finally does make her return, she does not see her father alive and in the flesh, but rather his final resting place in the miserable and desolate graveyard. His daughter clearly had a captivating nature which affected all who saw her, including himself. In “The Station Master,” Pushkin uses the narrator’s trips to the station in order to progress the story of Samson, Dunya, and Minsky. Dunya is, as Liza was, also poor due to her family and financial situation but, unlike Liza, she leaves her home in search of a new life.

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