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To create a better future, not only for ourselves but for those we love and those who will come after us.” Blue sky also appears in Marshall’s painting. © 2020 Condé Nast. She has her own presence, her own psychology. I do think I’m participating and a change is happening.”. This lavish, beautifully illustrated book even includes five new frameable Vogue cover prints that can be removed from the back of the book. All rights reserved. Will be used in accordance with our Privacy Policy. “If you say, ‘Black is beautiful,’ you have to show it. Every story, every shoot, every cover—it’s all here. It’s a really profound experience. “I see her as a light in a lot of darkness, and a potential for hope, a representative of change across all creative industries. Vogue covers have been talking to us for 128 years. Lena Dunham, February 2014Taking the world by storm with her no bull sh*t attitude and pure talent … Aurora sits on a high stool on her Brooklyn rooftop, wearing a Pyer Moss creation—yards and yards of blue silk that echo the sky behind her. “A lot of hope lies within that. © 2020 Artists Rights Society (ARS), New York / SIAE, Rome. All rights reserved. An early stage of Casteel’s cover painting, Aurora. The point is to show that blackness is rich and complex, within the blackness alone.”, To get this, Marshall begins with three different shades—carbon black; iron oxide black, also called mars black; and ivory black, also called bone black—and then adds cobalt blue, chrome green, carbazole dioxazine violet, yellow ochre, and raw sienna. You have to put it in there so that if people actually look hard, they can see it. Use of this site constitutes acceptance of our User Agreement (updated 1/1/20) and Privacy Policy and Cookie Statement (updated 1/1/20) and Your California Privacy Rights. To revisit this article, visit My Profile, then View saved stories. Use of this site constitutes acceptance of our User Agreement (updated 1/1/20) and Privacy Policy and Cookie Statement (updated 1/1/20) and Your California Privacy Rights. Ad Choices. Marshall texted me the final image mid-July, and at first I could barely see the features of her face. Ad Choices, © Artists Rights Society, 2020, © Salvador Dalí Museum. They talk to us about who we are and about the world we live in. Celebrity style, beauty tips, culture news & more delivered every day to your inbox. For him, it represents “what’s beyond—boundlessness.” There’s hope in that as well. Most of the windows have the same blue that is in the sky. The two birds next to her are a moment where I think of flight—the opportunity to move into new spaces. The reality is that it’s a Black woman in an outfit that’s a pretty rarified runway kind of garment. The reality is that even when the lights are off, everything that was in the world is still there. Vogue: The Covers (Abrams), by Dodie Kazanjian, with a foreword by Hamish Bowles, $50. Choose your favorite designs and purchase them as canvas prints, art prints, posters, framed prints, metal prints, and more! “The fact that she is some place instead of no place is important,” Marshall says. “The color comes up when you stack them on top of each other,” he says. But if you’re going to be at the edge of visibility, you’ve gotta put all the information in there. He created a fictional character, as he always does in his paintings, and dressed her in a white formal evening dress by Off-White. Another sketch from Marshall: Working Study 2, 2020. What’s different this time is that Marshall and Casteel were given complete freedom to decide who would be on their cover, a real or imaginary person, and how that person would be portrayed. The latest celebrity cover stars, magazine articles, and more from Vogue. And what I’m doing is showing it at the extreme. Courtesy of Kerry James Marshall. Jennifer Lawrence for the September 2017 issue. Vogue may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers. “I’m trying to build into her expression that she’s not dependent on the gaze of the spectator,” he told me during one of our frequent telephone calls. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé Nast. “If you’re going to be painting a face as black as I’m painting them, they can’t just be a cipher, like a black hole. “I think of the sky as being full of endless possibilities,” Casteel says. Marshall, 64, whose 2016–17 retrospective at the Metropolitan Museum of Art confirmed his status as one of the greatest living artists, was knee-deep in other commitments when I called. I like the idea that the hope of the sky came inside this urban building-scape, that whoever occupies that space within is also seeing the sky. © 2020 Condé Nast. Courtesy of Kerry James Marshall. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé Nast. The great word, ultimately, is going to be ‘self-possessed.’ That’s what I’m aiming for.”, The Black figures Marshall paints have skin so dark that it is, as he says, “at the edge of visibility.” Like Ad Reinhart’s black paintings, I asked. But as we talked, they emerged, gradually and indelibly. The latest fashion news, beauty coverage, celebrity style, … Unforgettable new covers feature such celebrated subjects as Michelle Obama, Kim and Kanye, Lena Dunham, and more. “‘I’m here and you can see me, but I’m not here for you.’ That’s a critical element. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé Nast. For her Vogue cover, Casteel chose a real person as her subject, fashion designer Aurora James, who made headlines in June with her 15 Percent Pledge, a campaign to support Black-owned businesses. Forty of these works were on view at the New Museum (her first New York City museum show), when the coronavirus intervened—the show has been extended to the end of the year if and when the museum reopens. Another sketch from Marshall: Working Study 3, 2020. If you take a dress that has fantastic elements like that one does, you have to ask, ‘Can that dress really be worn?’ So I tried to make a figure who could wear the dress. This list of Vogue cover models/celebs 1940–present is a catalog of cover models who have appeared on the cover of Vogue magazine 1940s 1940. “She’s not part of the decor. I purposely chose this active foot that feels like it’s propelling her upwards into the world above her—she’s stepping into the space of real possibility. To revisit this article, visit My Profile, then View saved stories. Jordan Casteel, 31, has caught the art world’s attention with her intimate, arresting portraits of family and friends and people she’s observed in her Harlem community. The dress is spectacular, but what your eye goes to is the face. The only requirement was that they choose a dress by one of four Vogue-selected designers for their subject to wear. John Currin’s 2017 cover for Vogue, Untitled, 2017. What’s most exciting to me is being given artistic integrity and being able to choose the person to be my sitter—someone who reflects a portion of my own identity—and then to do that truly in the medium of my choice. The latest fashion news, beauty coverage, celebrity style, fashion week updates, culture reviews, and videos on Vogue.com. Vogue Covers Buy wall art from the Conde Nast collection of magazine covers and editorial photos. To revisit this article, visit My Profile, then View saved stories. Artists have created Vogue covers before, on rare occasions: Salvador Dalí, Giorgio de Chirico, Marie Laurencin, and most recently, John Currin, who painted Jennifer Lawrence for the September 2017 issue. “I believe that what Aurora is doing is hugely important in creating the long-term change that Black people deserve and this country owes us,” Casteel tells me. The latest fashion news, beauty coverage, celebrity style, fashion week updates, culture reviews, and videos on Vogue.com. Courtesy of Kerry James Marshall. The figure stands regally in a room that opens onto a penthouse terrace. I think about her foot being pressed against the ground. This is the way that I speak to the world. You can see high-rise buildings and the sky. The latest fashion news, beauty coverage, celebrity style, fashion week updates, culture reviews, and videos on Vogue.com. Vogue: The Covers (Updated Edition) is a must-have for every fashion lover and collector. (She emailed daily images that showed how the painting was progressing.) Vogue may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers. © 2020 Condé Nast. They talk to us about who we are and about the world we live in. Use of this site constitutes acceptance of our User Agreement (updated 1/1/20) and Privacy Policy and Cookie Statement (updated 1/1/20) and Your California Privacy Rights. The latest fashion news, beauty coverage, celebrity style, fashion week updates, culture reviews, and videos on Vogue.com. Yes, it is black—very black—and it is very beautiful.”. This year, with our world turned upside down, by the plagues of COVID-19 and presidential incompetence, we invited two contemporary artists, Kerry James Marshall and Jordan Casteel, to make paintings for our September covers. This year, with our world turned upside down, by … You don’t know what she thinks, but you can tell she has something on her mind.”. It’s a baroque image, worthy of the Renaissance’s Pontormo. All wall art ships within 48 hours and includes a 30-day money-back guarantee. Vogue may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers. He responded that the comparison was apt: “Reinhart said he was turning the light out on painting. Vogue covers have been talking to us for 128 years. They have to be mysterious but available,” he says. Those are some of the things I thought about in making this portrait as it relates to hope and all the things that can exist beyond where we are right now. A sketch of Kerry James Marshall’s work for the September issue, Working Study 1, 2020. The entire history of Vogue at your fingertips. The image was due at the end of June—two weeks away—and he said he couldn’t do it, but he changed his mind when I was able to stretch the deadline. It’s important for me to show simply that the figure thinks. (Marcel Duchamp was asked to do one in 1943, but Vogue then turned the resulting piece down.) Ad Choices. And this is the way I’ve been speaking to the world and talking about the humanity of our people, talking about humanity in general. All rights reserved. Giorgio de Chirico’s 1935 cover for Vogue.

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