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These papers were written primarily by students and provide critical analysis of the poems in Songs of Innocence and of Experience by William Blake. The state of naïveté or lack of religious knowledge that comes before an understanding of sin and evil through experience. Essentially, the book is a two-part collection of William Blake’s poems. It is a mixture of the light of night and the dark of day (whatever I even mean by that...you know what, just go fucking read this it's happy, sad, dark, weird, beautiful, and great and will take you like two hours to read at MOST). In such poems as “Holy Thursday” and “The Little Vagabond,” Blake critiques the religious leaders of his day for their abuse of spiritual authority. More worldly-wise than his counterpart, the Shepherd, the Bard is also more a craftsman of words than is the rustic singer. Хтось може прив*язати цю сторінку до сторінки оригінального видання? This poem could be sung to many hymn tunes, such as “Amazing Grace.” As in that familiar hymn, Blake personifies the attributes of God—mercy, pity, peace, and love. In Songs of Experience, Blake questions how we know that God exists, whether a God who allows poor children to suffer and be exploited is in fact, good, and whether love can exist as an abstract concept apart from human interaction.

Thus the collection as a whole explores the value and limitations of two different perspectives on the world. Humans experience God through their interactions with humans who share divine attributes. The parents of “The Little Vagabond” weep in vain as their son is burned alive for heresy. The Shepherd is intended as a (biased) view of the world from a more naive perspective than Blake himself holds. The School Boy typifies the desire of youth to be outdoors without restrictions, despite the confines of institutionalized education.
They communicate with incredible power and economy, smashing to smithereens the false structures of existing beliefs and opinions. His poems are like gravel thrown into a pool, ripples radiating outwards indefinitely, stirring everything they touch. He attacks church leaders, wealthy socialites, and cruel parents with equal vehemence.

As a poet and artist, Blake sees the power of art in its various forms to raise the human spirit above its earth-bound mire. In Blake’s poetry, nature is a living, sentient thing that possesses qualities embodied in the world at creation, and which nature has been slower to lose than human beings have.

Like Wordsworth and other Romantic poets, Blake views children as closer to a natural, divine state than adults.
Blake is a strong proponent of the value of human creativity, or Imagination, over materialistic rationalism, or Reason. Well, one lousy review can't do Blake's poems any justice, not unless you're flush with time and the soul of a poet, yourself. Always overshadowed by his fellow Romantic contemporaries, such as Wordsworth, much to my dismay and the detriment of poetry lovers everywhere. Alcoholic drink similar to beer, but darker and heavier and with a more bitter taste. The phrase “the human form divine” succinctly expresses Blake’s values, which are both visionary and Romantic. In the opening stanza, Blake uses rich sensory details to establish the rural setting. William Blake was an English painter and printmaker, as well as a poet and social critic.

The balanced and well-proportioned arrangement of the parts of a whole item or creature. Set apart for use by God or a religious institution representing God. Save my name, email, and website in this browser for the next time I comment.

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